SOM DELA
An ensemble dedicated to the performance of music by Brazilian women composers
(Som Dela means “her sound” in Portuguese)
Join us for our debut concert
Saturday, October 11, 7:00 pm
Berkeley Unitarian Fellowship
1924 Cedar Street, Berkeley
Tickets: At the door (cash preferred)
Sliding Scale: $20-30
Featuring compositions by Léa Freire, Luisa Mitre, Luciana Rabello, Chiquinha Gonzaga, Kerry Politzer, Irene Sazer, and Rebecca Hass.
🍷 Join us for a reception afterwards!
More upcoming performances
Good Shepherd Episcopal Church
1823 9th St, Berkeley
Ticket details to come!
Sun. January 25, 2026 - 3pm
Performer bios
Irene Sazer, violin
Internationally known founding member of Turtle Island String Quartet, soloist, recording artist, and respected educator, Irene Sazer is an in-demand genre-hopping violinist/fiddler of many styles. She founded Real Vocal String Quartet and the School of Strings and String Improvisation in Berkeley, California. Sazer’s recording First Things First highlights her original songs.
She has performed with Ali Akbar Khan, Ella Fitzgerald, Ray Charles, Frank Sinatra, Smoky Robinson, David Grisman, Linda Ronstadt, Bjork, and Billy Joel, performed at Carnegie Hall, Lincoln Center, and concert halls around the world. A grant awarded composer, she has also built a body of work in visual arts with a distinctive portfolio of drawings, paintings and films.
Jane Lenoir, flute
Jane Lenoir, flutist, grew up in a family of professional musicians in Tampa, Florida and left at 15 years old to study at Interlochen Arts Academy and later Oberlin College Conservatory of Music. She has a career spanning many different styles of music, including “new” music, orchestral work, chamber music, jazz, Brazilian and Afro-Cuban music and Latin Jazz, to baroque flute. She has performed with the Oakland Symphony, Ballet and Opera, Stockton Symphony, San Jose Symphony, SF Opera, SF Ballet, San Francisco Chamber Music Society and University of California Contemporary Chamber Players. She is principal flute of the Music in the Mountains Orchestra and appears regularly as a soloist at the festival.
Jane formed Berkeley Choro Ensemble in 2010, and Berkeley Choro Festival as co-director in 2013. In 2018, two albums of Brazilian music were produced: Jane Lenoir plays Penezzi, with composer and 7-string guitarist Alessandro Penezzi, São Paulo, Brazil, and The View from Here, with Berkeley Choro Ensemble, featuring the music of contemporary Brazilian composers.
Jane has taught at San Domenico School, the SF Conservatory of Music, Cazadero Performing Arts Summer Chamber Music Workshop, National Flute Association Conventions, Suzuki Conventions, and conducted workshops all over the US and Europe. She coaches the flute section for Young People’s Symphony in Berkeley. Her students have performed with the Marin Youth Orchestra, Oakland Youth Orchestra, UC Berkeley Symphony Orchestra, Interlochen Center of the Arts Camp Ensembles, Young People’s Symphony Orchestra (YPSO).
Rebecca Hass, piano
Rebecca Hass is a pianist, composer, collaborative pianist, educator, and creative coach in the San Francisco Bay Area dedicated to creative curiosity and joy. She has extensive experience collaborating with classical performers, groups, and movement artists, including Diablo Women’s Chorale, Piedmont East Bay Children’s Choirs, Bella Musica, Payvand Vocal Ensemble, and Opera on Tap SF.
With a deep passion for Brazilian rhythms, Rebecca has been part of the Brazilian music scene in the Bay Area since 2019, and performs solo shows of her own compositions and arrangements, as well as with Som Dela, Lillian Yee, and other groups. Other collaborations include the Berkeley Choro Ensemble with multi-genre bassoonist Paul Hanson, Echo Chamber Orchestra, Diablo Symphony, and her newly-co-founded Women Composers Collective.
Rebecca’s debut Brazilian album, Florescer (Bloom), was described as “a delightful 43 minutes of musical sunshine”, and her 2024 album of original piano music, Bright Little Worlds, is an imaginative, heart-filled collection of 22 compositions in various styles, inspired by influences as diverse as Hermeto Pascoal, Laercio de Freitas, Claude Debussy, Aaron Copland, Vince Guaraldi, and Thelonious Monk.
In her creative coaching practice, Rebecca helps musicians and artists reconnect to joy in their creative practices through curiosity and self-compassion, and hosted the related podcast Being a Whole Person on this topic. She is always designing new practices for herself, her students, and her creative coaching clients.
Michaelle Goerlitz, percussion
Known for her rhythmic versatility on percussion and drums, Michaelle Goerlitz was a founding member of the Blazing Redheads and Wild Mango, two long-term projects that showcased her percussive skills in jazz, AfroCuban, Brazilian, and Middle Eastern styles. She has the distinction of being the first woman to teach at California Brazil Camp and was named a “rising star” by Downbeat magazine in 2007. The various groups/people she has played and/or recorded with are: Mariah Parker’s Indo-Latin Jazz Ensemble, Roger Glenn, VNote Ensemble, ‘Chelle & Friends, Mark Levine, Tom McDermott, Tammy Hall, Holly Near, Ferron, Barbara Higbie, Anthony Brown, rhiannon, Yair Dalal, Jami Sieber, Jai Uttal, Suzie Thompson’s Aux Cajunals, Blake Miller, Ojala, Arenas Dance Co., Novo Tempo and Samba Rio.